Live Capture & Promo Video
Capture The Proof People Actually Need
Custom performance capture, multi-camera editing, interviews, event promos, vertical cutdowns, and YouTube-ready assets scoped around the venue, crew, source media, rights, and delivery volume.
Built For Use
A Deliverable Should Change What You Can Do Next
The right production depends on the job. A venue buyer, sponsor, fan, radio partner, and documentary audience do not need the same edit, runtime, framing, or call to action.
Included In The Standard Scope
- Production brief
- Shot and access plan
- Approved capture package
- Primary edit(s)
- Agreed short-form cutdowns
- Color/audio treatment within scope
- Organized delivery
What You Supply
- Venue and production access
- Performance and recording permissions
- Accurate event schedule
- Existing brand/music assets
- One edit decision-maker
Best Fit
- Acts needing credible live proof
- Venues and events needing promo assets
- Artists building EPK and campaign video libraries
What It Fixes
- Beautiful show with unusable footage
- No clean buyer-facing performance proof
- One long edit with no short-form plan
The Useful Outcome
Purpose-built video assets with clear ownership, edit priorities, delivery formats, and an organized handoff.
Scope At A Glance
Price, Timing, And Decision Rules
The standard scope assumes complete, usable client-supplied assets and one authorized decision-maker. The final agreement controls if the project requires more.
Investment
Custom Quote
Location, crew, audio, cameras, travel, access, rights, edit volume, and delivery formats control the quote.
Working Timeline
Production and delivery are scheduled by event date and scope; rush work requires explicit approval.
Revisions / Decisions
Defined by edit package; all feedback must be consolidated by one decision-maker.
- Venue or talent fees
- Music licensing OTA cannot grant
- Unlimited camera coverage
- Unlimited revisions
- Storage forever
- Travel unless quoted
- Campaign Content Kit
- Venue-Ready Booking Kit
- YouTube packaging
- Interview/story edit
Can OTA edit existing footage?
Yes, after reviewing format, quality, audio, ownership, and completeness.
Is multi-camera always better?
No. Clean audio, purposeful coverage, and edit planning matter more than camera count.
Who owns the finished video?
Ownership and usage are defined in the project agreement, subject to third-party music, venue, footage, and licensing rights.
Yes, after reviewing format, quality, audio, ownership, and completeness.
No. Clean audio, purposeful coverage, and edit planning matter more than camera count.
Ownership and usage are defined in the project agreement, subject to third-party music, venue, footage, and licensing rights.
Artist Ownership
Artists retain ownership of their masters, publishing, copyrights, and underlying rights. Standard service work does not transfer ownership to OTA Music Group.
Starting Prices
“Starting At” reflects the smallest standard scope using complete, usable client-supplied assets. Final scope and price are confirmed after intake.
No Fairy Tales
Airplay, streams, playlists, press, bookings, attendance, sales, follower growth, chart positions, and partnership acceptance are not guaranteed.
OTA Content, Video & Digital Campaign Brief
Describe the event, access, available audio, existing footage, deadlines, and the exact people who must be persuaded by the final video.
Related Paths
You May Need One Step Before Or After This
OTA will recommend the smallest useful sequence after intake. More services are not automatically a better plan.
Venue-Ready Booking Kit
Use the live proof in a buyer-ready presentation.
Campaign Content Kit
Turn production into a coordinated short-form package.
Community & Event EPK
Frame the footage for civic and event buyers.
Film The Job, Not Just The Stage
Decide what the footage must prove before the first camera rolls or the first edit begins.