OTA is a service-based, collaborative independent label and artist-development group. Most work begins as a defined service. OTA Label Partner is a separate selective relationship.

No. Standard service work does not transfer the artist’s masters, publishing, copyrights, or underlying rights.

No. It is selective and requires fit, readiness, authority, professional participation, capacity, and a written agreement.

No. OTA guarantees only the agreed preparation, outreach, execution, communication, and reporting.

Because complete assets, one clear direction, standard formats, and normal timing cost less than missing materials, rush work, extra concepts, and complicated approvals.

Yes, when roles, access, authority, communication, and data sharing are clear.

Not for artist direction, EPK review, or planning. Radio, DSP, and release campaigns require much stronger music, rights, metadata, and date readiness.

Yes, after an audit confirms the theme, plugins, content, access, backups, and current site are a safe foundation.

OTA reviews fit, readiness, timing, and scope. A submission does not create representation, acceptance, exclusivity, or a guarantee of service.

Yes, for research, organization, drafting, tracking, and repetitive work. Humans own relationship decisions, contracts, financial choices, commitments, and final creative approval.

Yes. EPKs, booking kits, Band Rescue, live capture, merch, venue materials, and event positioning are strong lanes for working acts.

Submit the real links. OTA’s review process is designed to identify what is usable, what is missing, and what should be fixed first.